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home·artworks·Versailles. At Curtius.
Versailles. At Curtius. by Alexandre Benois

plate no. 9056

Versailles. At Curtius.

Alexandre Benois, 1897

charcoal, gouache, graphite, watercolor, cardboardPost-Impressionismhistory paintingstatuetreesfiguresbuildinglakelandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create a harmonious and muted color scheme. It also provides practice in rendering figures and architectural details in a stylized manner.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the building, the statue, the trees, and the figures.

  2. step 02

    Establish the horizon line and the basic perspective of the scene.

  3. step 03

    Apply a thin wash of diluted watercolor or gouache to establish the overall color scheme, focusing on the sky and the water.

  4. step 04

    Block in the larger shapes of the building, statue, and trees with their respective base colors.

  5. step 05

    Start layering colors to create depth and dimension, paying attention to the subtle shifts in hue and value.

  6. step 06

    Add details to the figures and the statue, using finer brushes.

  7. step 07

    Refine the reflections in the water, ensuring they align with the objects above.

  8. step 08

    Add final touches and highlights to enhance the overall atmospheric effect.

color palette

primary · pale pink · light blue · grey · yellow ochre

secondary · burnt umber · sap green · lavender

Achieve the muted tones by mixing complementary colors and adding white or grey to soften the intensity. Use thin washes to build up layers of color.

techniques

  • ·atmospheric perspective
  • ·color layering
  • ·dry brushing
  • ·watercolor wash
  • ·rendering figures

common pitfalls

  • →Overworking the details too early
  • →Using colors that are too saturated
  • →Ignoring the atmospheric perspective
  • →Incorrect proportions in the figures or architecture

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints or gouache
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water container
  • ·pencil

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler
  • ·kneaded eraser

Using high-quality watercolor paper is essential for achieving the desired effects. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

watercolor techniques →how to draw →color theory for painters →how to learn by studying the masters →
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