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home·artworks·Vera Fearing
Vera Fearing by Augustus John

plate no. 4733

Vera Fearing

Augustus John, 1931

oilPost-Impressionismportraitportraitfiguredresschairbookjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones and fabric, and capturing the essence of a subject through loose brushwork. It also provides practice in creating a sense of depth and atmosphere with a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, chair, and book.

  2. step 02

    Establish the background with loose, blended washes of color.

  3. step 03

    Block in the main areas of color for the dress, chair, and skin tones.

  4. step 04

    Refine the facial features, paying attention to light and shadow.

  5. step 05

    Add details to the dress, such as folds and highlights, using visible brushstrokes.

  6. step 06

    Develop the chair and book, adding details and texture.

  7. step 07

    Introduce subtle color variations and highlights to create depth.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · yellow ochre · titanium white · viridian green

secondary · burnt umber · raw sienna · ultramarine blue

Mix yellow ochre and white for the dress, varying the proportions for highlights and shadows. Combine viridian green and ultramarine blue for the chair, adding white for lighter areas. Use burnt umber and raw sienna for skin tones, adjusting with white, yellow ochre, and a touch of red.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color layering

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, titanium white, viridian green, burnt umber, raw sienna, ultramarine blue)
  • ·assorted round and flat brushes
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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