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home·artworks·Varengeville Prés De Dieppe, France
Varengeville Prés De Dieppe, France by Matthew Smith

plate no. 3395

Varengeville Prés De Dieppe, France

Matthew Smith, 1911

oilPost-Impressionismlandscapelandscapetreesbuildingskygrassrural
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve naturalistic hues and practice layering brushstrokes to create texture and depth. It's a good exercise in capturing light and shadow in a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the building, the large tree, and the horizon line.

  2. step 02

    Block in the sky with a thin layer of blue, allowing for variations in tone.

  3. step 03

    Establish the basic colors of the building: ochre for the walls, darker reds and browns for the roof.

  4. step 04

    Paint the large tree, using a mix of greens, yellows, and blues to capture the light filtering through the leaves.

  5. step 05

    Add the foreground, using broken brushstrokes to suggest grass and foliage.

  6. step 06

    Refine the details of the building, adding shadows and highlights to create form.

  7. step 07

    Adjust the colors and values throughout the painting to create a sense of harmony.

  8. step 08

    Add final details and highlights to the trees and foliage.

color palette

primary · cerulean blue · yellow ochre · burnt sienna · sap green

secondary · cadmium red · ultramarine blue · raw umber

Mix greens by combining blues and yellows. Achieve earth tones by mixing browns, reds, and yellows. Use white to lighten values and create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color layering
  • ·impasto

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Creating overly defined edges, losing the impressionistic feel.
  • →Failing to capture the light and shadow accurately.
  • →Not varying brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (if using oils)

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·retarder medium (for acrylics)

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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