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home·artworks·Untitled Landscape
Untitled Landscape by Lili Elbe

plate no. 8100

Untitled Landscape

Lili Elbe

oilPost-Impressionismlandscapelandscapetreesbuildingsskypathvillage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, and in using loose brushstrokes to suggest form rather than define it precisely. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line and the placement of the buildings and trees.

  2. step 02

    Block in the sky with a thin wash of grey-blue, allowing some variation in tone.

  3. step 03

    Establish the main areas of the landscape with broad strokes of green, brown, and yellow, paying attention to the overall value structure.

  4. step 04

    Add the darker masses of the trees and foliage, using a variety of greens and browns.

  5. step 05

    Indicate the buildings with simple shapes and muted colors, suggesting details without being overly precise.

  6. step 06

    Define the path with lighter tones of yellow and brown, creating a sense of depth and perspective.

  7. step 07

    Add final details and highlights to the trees, buildings, and foliage, using small brushstrokes and subtle color variations.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or value.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · cadmium yellow light · raw sienna

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the sky color by mixing ultramarine blue and titanium white, adding a small amount of burnt umber for a greyish tone. Create earth tones by mixing burnt umber with yellow ochre and titanium white.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear value structure.
  • →Ignoring the atmospheric perspective and making the background too sharp.
  • →Not simplifying the forms and trying to paint every leaf or brick.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or 16x20)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a limited palette of colors to simplify the mixing process and create a more harmonious painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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