apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Untitled
Untitled by Carmen Osés Hidalgo

plate no. 6825

Untitled

Carmen Osés Hidalgo

oilPost-Impressionismportraitportraitwomanappleshawlfigurejewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in depicting fabric and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Establish the background color with a thin wash of muted blues and greens.

  3. step 03

    Block in the main areas of color for the face, shawl, and apple, using a limited palette.

  4. step 04

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Develop the folds and shadows in the shawl, using a combination of blending and visible brushstrokes.

  6. step 06

    Add details to the apple, capturing its roundness and subtle color variations.

  7. step 07

    Refine the hands, paying attention to the light and shadow that define their form.

  8. step 08

    Add final details, such as the jewelry and any highlights, and adjust values as needed.

color palette

primary · titanium white · raw umber · alizarin crimson

secondary · ultramarine blue · yellow ochre · cadmium red

Achieve skin tones by mixing white, raw umber, and alizarin crimson. Mute colors by adding a touch of complementary color. Use ultramarine blue and yellow ochre to create the background.

techniques

  • ·portrait sketching
  • ·color mixing
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details in the face.
  • →Getting the proportions wrong in the initial sketch.
  • →Using colors that are too bright or saturated.
  • →Failing to capture the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a toned canvas to help establish the initial values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov