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home·artworks·Two Peasant Women and a Child Seen from Behind, from the 'Foresteria' (Guesthouse)
Two Peasant Women and a Child Seen from Behind, from the 'Foresteria' (Guesthouse) by Giovanni Domenico Tiepolo

plate no. 6294

Two Peasant Women and a Child Seen from Behind, from the 'Foresteria' (Guesthouse)

Giovanni Domenico Tiepolo, 1757

frescoRococogenre paintingfigureslandscapetreesskyclothingfoliage
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering figures in a landscape setting. Students will also learn to mix subtle color variations to achieve a muted, fresco-like effect.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: figures, trees, and horizon line.

  2. step 02

    Block in the sky and background with diluted washes of color.

  3. step 03

    Establish the basic colors of the figures' clothing and hats.

  4. step 04

    Add the tree trunks and foliage, focusing on the overall shapes.

  5. step 05

    Refine the details of the figures, including folds in clothing and facial features (of the child).

  6. step 06

    Add shadows and highlights to create depth and volume.

  7. step 07

    Paint the ground plane with subtle variations in tone and texture.

  8. step 08

    Add final details such as birds and small foliage elements.

color palette

primary · raw umber · titanium white · Prussian blue · Venetian red

secondary · yellow ochre · ivory black

Achieve the muted tones by mixing primary colors with white and small amounts of black. Use thin washes of color to create a fresco-like effect.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details too early.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth.
  • →Ignoring the subtle variations in tone and color.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic gesso
  • ·Raw umber acrylic paint
  • ·Titanium white acrylic paint
  • ·Prussian blue acrylic paint
  • ·Venetian red acrylic paint
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)

optional

  • ·palette knife
  • ·retarder medium
  • ·soft cloth

Applying a few layers of gesso is recommended to create a smooth surface. Dilute the acrylic paints with water to achieve a watercolor-like consistency.

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