apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Two Girls in the Flower Garden
Two Girls in the Flower Garden by Le Pho

plate no. 7443

Two Girls in the Flower Garden

Le Pho

oilPost-Impressionismgenre paintingfiguresflowersgardenfoliagetreeslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors, creating soft edges, and capturing the essence of a scene rather than precise details. It also encourages experimentation with brushstrokes to suggest form and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the placement of the figures and the main flower groupings.

  2. step 02

    Apply a thin wash of yellow and green to establish the overall color harmony.

  3. step 03

    Block in the figures with light washes of yellow and gray, focusing on their general shapes.

  4. step 04

    Begin layering the flowers, starting with the white petals and adding touches of yellow and red for variation.

  5. step 05

    Add the foliage around the flowers, using short, broken brushstrokes to create texture.

  6. step 06

    Refine the figures, adding subtle details to their clothing and hair.

  7. step 07

    Adjust the overall color balance and add highlights to create depth.

  8. step 08

    Add final details and refine the edges of the forms.

color palette

primary · yellow · white · green

secondary · red · gray · blue

Achieve the soft, muted tones by mixing white with small amounts of the other colors. Use yellow ochre and cadmium yellow for variations in the yellow tones. Mix gray with a touch of blue or purple for a cooler shade.

techniques

  • ·Dry brush
  • ·Layering
  • ·Broken color
  • ·Scumbling
  • ·Impasto

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using colors straight from the tube without mixing them.
  • →Creating hard edges that detract from the softness of the scene.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (optional, for oil paints)

optional

  • ·Painting medium (e.g., Liquin)
  • ·Easel
  • ·Apron

Use a canvas with a medium texture to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov