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home·artworks·Two Figures, Driftwood at Truman Beach
Two Figures, Driftwood at Truman Beach by Aaron Shikler

plate no. 2737

Two Figures, Driftwood at Truman Beach

Aaron Shikler, 2005

oilNew Realismgenre paintingfiguresbeachoceanskycloudsrock
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and rendering figures in a naturalistic setting. It also provides practice in mixing subtle color variations to depict light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, horizon line, and rock.

  2. step 02

    Block in the large areas of color: sky, ocean, beach, and the main shapes of the figures and rock.

  3. step 03

    Establish the darkest values in the sky and the shadows on the rock and figures.

  4. step 04

    Begin refining the shapes of the figures, paying attention to the folds in the clothing and the contours of the faces.

  5. step 05

    Add details to the ocean, including the waves and the reflections of light.

  6. step 06

    Develop the texture of the rock using a variety of brushstrokes and values.

  7. step 07

    Refine the highlights on the figures and the rock to create a sense of depth and form.

  8. step 08

    Add final details, such as the pink clouds in the sky and the subtle variations in color on the beach.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red light · raw sienna

Achieve the dark sky by mixing ultramarine blue and burnt umber. The beach is a mix of yellow ochre, raw sienna, and white. The pink clouds are a mix of cadmium red light and white.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early.
  • →Not establishing a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#4 round brush
  • ·#8 flat brush
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas for a slightly textured surface. Pre-tinting the canvas with a thin wash of burnt umber can help create a warm undertone.

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