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home·artworks·Tulcea Square
Tulcea Square by Nicolae Darascu

plate no. 6697

Tulcea Square

Nicolae Darascu

oilPost-Impressionismgenre paintingbuildingsfiguresmarketstreetskyclouds
some experience helpful

Recreating this painting will help students develop skills in depicting perspective in a cityscape and capturing the atmosphere of a bustling market scene. Students will also practice using color to create depth and light.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and the overall composition.

  2. step 02

    Block in the main areas of color, starting with the sky and the large surfaces of the buildings.

  3. step 03

    Add the darker values to define the shadows and architectural details.

  4. step 04

    Begin to add the figures, focusing on their general shapes and colors rather than precise details.

  5. step 05

    Develop the details of the market stalls and the foreground elements.

  6. step 06

    Refine the colors and values, paying attention to the light and shadow relationships.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Step back and make any necessary adjustments to the overall composition and color balance.

color palette

primary · yellow ochre · cerulean blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Mix various shades of yellow ochre and burnt umber for the ground and buildings. Use cerulean blue and white for the sky, adding touches of ultramarine for darker areas. Mix greens from blues and yellows for the market produce.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·implied detail

common pitfalls

  • →Getting the perspective wrong, which can make the buildings look distorted.
  • →Overworking the details, which can lose the impressionistic feel.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Ignoring the light and shadow relationships, which can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·medium gloss
  • ·easel
  • ·rags

A medium-textured canvas will work well for this painting. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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