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home·artworks·Tuileries Garden
Tuileries Garden by Edouard Cortes

plate no. 8197

Tuileries Garden

Edouard Cortes

oilPost-Impressionismcityscapecityscapeparkfigurestreesarchitecturesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the essence of a scene with loose, impressionistic brushstrokes. It will also improve their ability to simplify complex scenes into manageable shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main elements like the arch, trees, and figures.

  2. step 02

    Block in the large shapes of color, starting with the sky and ground, then the trees and buildings.

  3. step 03

    Establish the value structure, paying attention to the light and shadow patterns on the ground and architecture.

  4. step 04

    Add details to the trees, using broken color and varied brushstrokes to create texture.

  5. step 05

    Paint the figures, simplifying their forms and focusing on their gestures and interactions.

  6. step 06

    Refine the details of the architecture, such as the arch and statues, using a smaller brush.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or value.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · cadmium red · sap green · raw umber

Mix various shades of gray and pink for the sky and ground by combining white, blue, and a touch of red or brown. Achieve the warm tones of the trees by blending yellow ochre, burnt sienna, and cadmium red.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima
  • ·implied detail

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Failing to establish a strong value structure.
  • →Making the colors too saturated and unrealistic.
  • →Not simplifying the forms of the figures and architecture.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber or yellow ochre before starting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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