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home·artworks·Troitse-Sergiyev Monastery
Troitse-Sergiyev Monastery by Konstantin Yuon

plate no. 9477

Troitse-Sergiyev Monastery

Konstantin Yuon

oilPost-Impressionismlandscapecityscapesnowbuildingsriverwinterarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in snow. It also provides practice in rendering architectural details with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and the river, paying attention to perspective.

  2. step 02

    Establish the overall value structure with a thin wash of diluted paint.

  3. step 03

    Block in the main colors of the buildings, sky, and snow, focusing on local color.

  4. step 04

    Add details to the buildings, such as windows, domes, and architectural features.

  5. step 05

    Develop the snow textures with varied brushstrokes and subtle color shifts.

  6. step 06

    Paint the river reflections, capturing the colors and values of the surrounding landscape.

  7. step 07

    Add small figures and details to create a sense of scale and activity.

  8. step 08

    Refine the overall composition and add final touches to enhance the atmosphere.

color palette

primary · titanium white · raw sienna · ultramarine blue

secondary · burnt sienna · yellow ochre · viridian

Mix various shades of white with small amounts of blue, sienna, and ochre to create the subtle color variations in the snow. Use a limited palette to achieve color harmony.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·dry brushing
  • ·color layering

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to capture the subtle color variations in the snow.
  • →Ignoring the principles of atmospheric perspective, making distant objects too sharp and saturated.
  • →Using too much detail in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·round brushes
  • ·flat brushes

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-grain canvas to allow for texture. Consider using a limited palette of oil paints for color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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