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home·artworks·Troika in the Snow
Troika in the Snow by Abraham Manievich

plate no. 7470

Troika in the Snow

Abraham Manievich, 1910

oilPost-Impressionismcityscapesnowvillagebuildingsfigureshorseroad
some experience helpful

Recreating this painting will help students understand how to depict light and shadow on snow and how to create depth using atmospheric perspective. It also offers practice in capturing the essence of figures and buildings with simplified forms and visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the road, buildings, and figures.

  2. step 02

    Block in the main areas of color: sky, snow, buildings, and trees.

  3. step 03

    Establish the light and shadow patterns on the snow, using cool blues and purples for shadows.

  4. step 04

    Add details to the buildings, focusing on the roof colors and the texture of the walls.

  5. step 05

    Paint the figures and the horse-drawn sleigh, simplifying their forms.

  6. step 06

    Add details to the trees and branches, using a dry brush technique.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed.

  8. step 08

    Add final highlights and details to create a sense of depth and realism.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red · payne's gray

Mix various shades of gray and blue for the snow shadows. Use burnt umber and yellow ochre for the buildings, adding touches of red for the roofs. Create a muted sky by mixing white, blue, and a touch of umber.

techniques

  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·simplified forms

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Making the snow too white and not capturing the subtle color variations.
  • →Failing to establish a clear light source and consistent shadows.
  • →Not simplifying the forms of the figures and buildings enough.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (#2, #6)
  • ·flat brush (#8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a limited palette of colors to simplify the mixing process. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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