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home·artworks·Triptych: Inner left Wing St. Philip, St. James the Great Right
Triptych: Inner left Wing St. Philip, St. James the Great Right by Bernhard Strigel

plate no. 0047

Triptych: Inner left Wing St. Philip, St. James the Great Right

Bernhard Strigel, 1480

oilNorthern Renaissancereligious paintingreligious figurestriptycharchitecturealtarinteriormurals
experienced study

Recreating this painting will help students develop skills in depicting aged textures and rendering figures in a historical style. It also provides practice in creating a sense of depth and perspective within an architectural setting.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the architectural structure and the placement of the triptych.

  2. step 02

    Block in the main colors of the walls, ceiling, and altar, paying attention to the subtle variations in tone and texture.

  3. step 03

    Sketch the figures within the triptych, focusing on accurate proportions and poses.

  4. step 04

    Apply base colors to the figures, gradually building up layers of shading and highlights to create depth.

  5. step 05

    Add details to the figures' clothing, faces, and hands, using fine brushes for precision.

  6. step 06

    Replicate the aged and weathered appearance of the walls and murals by layering washes and dry brushing techniques.

  7. step 07

    Paint the details of the triptych frame, including the gold accents and any visible damage.

  8. step 08

    Add final touches and highlights to enhance the overall realism and atmosphere of the painting.

color palette

primary · ivory · burnt umber · cadmium red · Prussian blue

secondary · gold · sap green · violet · yellow ochre

Achieve the aged wall colors by mixing ivory with small amounts of burnt umber, yellow ochre, and violet. Create the figure's skin tones by blending ivory, cadmium red, and a touch of burnt umber.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·underpainting
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle color variations in the aged surfaces.
  • →Ignoring the importance of accurate proportions in the figures.
  • →Creating too much contrast, losing the muted atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (for cleaning)

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Use high-quality paints for best results. Consider using a toned canvas to simplify the underpainting process.

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