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Aristotle by Justus van Gent

plate no. 7716

Aristotle

Justus van Gent, 1476

oil, panelNorthern Renaissanceportraitfigureportraitmanclothinghatbook
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as understanding subtle color variations to create form and depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and proportions of the figure.

  2. step 02

    Block in the main shapes and colors, focusing on the large areas of the background, clothing, and skin.

  3. step 03

    Begin refining the facial features, paying close attention to the values and subtle color changes.

  4. step 04

    Develop the details of the clothing, including the folds, buttons, and belt, using a combination of layering and blending techniques.

  5. step 05

    Add the details of the hat, hair, and beard, using small brushes to create texture and definition.

  6. step 06

    Refine the background elements, including the architectural details and the green curtain.

  7. step 07

    Add the final highlights and shadows to enhance the three-dimensionality of the figure.

  8. step 08

    Glaze the painting with thin layers of color to unify the overall effect and create a sense of depth.

color palette

primary · raw umber · titanium white · alizarin crimson · yellow ochre

secondary · viridian · ivory black · gold

Achieve the skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use raw umber and ivory black to create the darker shadows and details.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·layering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and volume.
  • →Not paying enough attention to the subtle color variations.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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