apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Trip by cart
Trip by cart by Niko Pirosmani

plate no. 9624

Trip by cart

Niko Pirosmani

oil, cardboardNaïve Art (Primitivism)genre paintingmountainsfigurescartanimalslandscapebuildings
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex forms into basic shapes. It also provides practice in depicting figures and animals in a stylized manner.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, hills, and main subjects.

  2. step 02

    Block in the sky with a light grey, blending it softly.

  3. step 03

    Paint the mountains with white and grey, creating shadows and highlights.

  4. step 04

    Add the dark, misty hills using dark browns and greys, blending them into the sky.

  5. step 05

    Paint the midground hills with browns and greens, adding details like buildings and the road.

  6. step 06

    Block in the cart, figures, and animals with basic shapes and colors.

  7. step 07

    Add details to the cart, including the striped awning and the figures inside.

  8. step 08

    Refine the details of the animals, buildings, and foreground elements.

color palette

primary · titanium white · raw umber · ivory black · yellow ochre

secondary · cadmium red · burnt sienna · sap green

Mix various shades of grey for the sky and mountains by combining white and black. Create earthy tones for the hills by mixing browns, greens, and yellows. Use red, yellow, and white to create the stripes on the cart.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·simplification

common pitfalls

  • →Overworking the details too early.
  • →Not blending the sky and mountains smoothly.
  • →Making the colors too saturated.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (if using oil paints)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Using a limited palette will help to achieve a harmonious color scheme. Consider using a slightly textured canvas to mimic the original painting's surface.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden