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home·artworks·Trinity of the Mount
Trinity of the Mount by Felix Vallotton

plate no. 1512

Trinity of the Mount

Felix Vallotton, 1913

oil, panelPost-Impressionismcityscapebuildingstreescityscapeskyarchitecturewall
some experience helpful

This painting offers a chance to practice simplifying complex forms and using color temperature to create depth. Students can learn to capture the essence of a scene with expressive brushstrokes and a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the buildings and the wall.

  2. step 02

    Block in the sky with a thin wash of color, establishing the overall warm tone.

  3. step 03

    Establish the main color masses for the buildings, using variations of orange and brown.

  4. step 04

    Paint the wall with cool grays and blues, adding subtle variations in tone.

  5. step 05

    Add the dark greens of the trees, using broken brushstrokes to create texture.

  6. step 06

    Refine the details of the architecture, such as windows and architectural features.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Review the painting and make any necessary adjustments to color, value, and composition.

color palette

primary · burnt sienna · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · sap green · cadmium yellow light

Mix burnt sienna and raw umber with white to create the various shades of the buildings. Use ultramarine blue and white for the cool tones of the wall. Mix greens with yellow ochre and ultramarine blue.

techniques

  • ·broken color
  • ·scumbling
  • ·color temperature
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Using too many colors
  • →Ignoring the overall color harmony
  • →Not establishing a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 6, 8)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

A slightly textured canvas will enhance the broken color effect. Use a limited palette to maintain color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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