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home·artworks·Trees on the Banks of the Seine
Trees on the Banks of the Seine by Andre Derain

plate no. 3696

Trees on the Banks of the Seine

Andre Derain, 1913

oil, canvasPost-Impressionismlandscapetreesriverbuildingslandscapefoliagesky
some experience helpful

This painting offers a good opportunity to practice simplifying complex scenes into basic shapes and using color to define form. Students will also develop skills in layering paint and creating texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the trees, river, and buildings, focusing on the overall composition.

  2. step 02

    Block in the large areas of color, starting with the darkest values in the trees and shadows.

  3. step 03

    Gradually add lighter values to create form and dimension, paying attention to the direction of light.

  4. step 04

    Define the edges of the trees and buildings with bolder brushstrokes.

  5. step 05

    Add details to the river and foliage, using short, broken strokes to create texture.

  6. step 06

    Refine the colors and values, adjusting as needed to create a sense of depth and atmosphere.

  7. step 07

    Add the highlights to the water and buildings.

  8. step 08

    Step back and assess the overall balance of the painting, making any final adjustments.

color palette

primary · viridian green · ultramarine blue · raw umber · titanium white

secondary · cadmium orange · yellow ochre · burnt sienna

Mix greens by combining blues and yellows, and use white to lighten values. Create earth tones by mixing browns and oranges. Use complementary colors to neutralize or darken colors.

techniques

  • ·broken color
  • ·layering
  • ·impasto
  • ·color mixing
  • ·simplification

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details and losing sight of the overall composition.
  • →Using too much white and creating a chalky effect.
  • →Not paying attention to the direction of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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