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home·artworks·Tornado Over Kansas
Tornado Over Kansas by John Steuart Curry

plate no. 1101

Tornado Over Kansas

John Steuart Curry, 1929

oil, canvasRegionalismgenre paintingfigurestornadofarmskylandscapeanimals
some experience helpful

Recreating this painting will help students develop skills in depicting figures in motion and creating a sense of dramatic atmosphere. It also provides practice in rendering realistic textures and using a limited color palette to create a cohesive image.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the tornado.

  2. step 02

    Block in the main areas of color, starting with the sky and the ground.

  3. step 03

    Begin to define the shapes of the figures, paying attention to their proportions and gestures.

  4. step 04

    Add details to the faces and clothing of the figures.

  5. step 05

    Paint the tornado, using swirling brushstrokes to create a sense of movement.

  6. step 06

    Add details to the farm buildings and the surrounding landscape.

  7. step 07

    Refine the values and colors throughout the painting, creating a sense of depth and atmosphere.

  8. step 08

    Add final details, such as the animals and the debris in the foreground.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · yellow ochre · cadmium red light

Mix raw umber and ultramarine blue for the dark, stormy sky. Use white to lighten the colors and create highlights. Burnt sienna and yellow ochre can be mixed to create the warm tones of the ground and the figures' skin.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Making the colors too bright and saturated.
  • →Failing to create a sense of depth and atmosphere.
  • →Overworking the painting and losing the freshness of the brushstrokes.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (raw umber, titanium white, ultramarine blue, burnt sienna, yellow ochre, cadmium red light)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Painting medium (e.g., Liquin)
  • ·Varnish

Use a medium-grit canvas for a slightly textured surface. Consider using a limited palette to simplify the color mixing process.

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