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home·artworks·Tomorrow The Outer Shoals
Tomorrow The Outer Shoals by Andrew Wyeth

plate no. 5205

Tomorrow The Outer Shoals

Andrew Wyeth

panelContemporary Realisminteriorinteriorwindowwoodobjectslightshadows
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how light affects the color and value of objects. It also provides practice in rendering textures of wood and creating a sense of depth within an interior space.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the room, window, and the general placement of the objects.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Begin blocking in the large areas of color for the walls, floor, and ceiling using thin washes.

  4. step 04

    Gradually build up the layers of color, adding more detail and texture to the wood surfaces.

  5. step 05

    Paint the window, paying close attention to the light coming through and its effect on the surrounding areas.

  6. step 06

    Start painting the objects, focusing on their shapes, values, and the way light interacts with them.

  7. step 07

    Refine the details of the objects, adding highlights and shadows to create form and dimension.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced and harmonious.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · ivory black

Use raw umber and burnt sienna mixed with white to create the various shades of brown for the wood. Add small amounts of yellow ochre to warm up the browns and ivory black to cool them down. The objects are mostly white with subtle variations of gray and brown.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·value studies

common pitfalls

  • →Overworking the details too early in the process.
  • →Not paying close enough attention to the values and how they create form.
  • →Using colors that are too saturated and not capturing the subtle nuances of the light.
  • →Failing to establish a strong sense of depth and atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for the detailed rendering.

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