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home·artworks·Tobiolo E I Tre Arcangeli
Tobiolo E I Tre Arcangeli by Filippino Lippi

plate no. 2783

Tobiolo E I Tre Arcangeli

Filippino Lippi, 1485

oilEarly Renaissancereligious paintingfiguresangelslandscapewingsrobessky
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in mixing subtle color variations to achieve a realistic skin tone and fabric texture.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors of the background, focusing on the atmospheric perspective.

  3. step 03

    Begin painting the figures, starting with the underpainting to establish the basic tones and values.

  4. step 04

    Develop the drapery, paying attention to the folds and highlights to create a sense of volume.

  5. step 05

    Refine the facial features and details of the figures, using small brushes and subtle color variations.

  6. step 06

    Add the wings and halos, using translucent layers of paint to create a soft, ethereal effect.

  7. step 07

    Paint the details of the landscape, including the buildings and vegetation.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · yellow ochre · raw umber · cadmium red

secondary · ultramarine blue · viridian green · burnt sienna

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Achieve skin tones by blending titanium white, yellow ochre, cadmium red, and a small amount of raw umber.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly bright or saturated colors.
  • →Lack of attention to detail in the drapery.
  • →Inconsistent lighting and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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