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home·artworks·Tobias and Archangel Raphael
Tobias and Archangel Raphael by Filippino Lippi

plate no. 8746

Tobias and Archangel Raphael

Filippino Lippi, 1482

oilEarly Renaissancereligious paintingfiguresangellandscapetreessheepreligious
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective in landscapes. It also provides practice in mixing subtle color variations and applying delicate details.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and landscape elements.

  2. step 02

    Block in the main color areas for the sky, ground, trees, and figures using thin washes.

  3. step 03

    Develop the figures' forms by adding layers of color to define light and shadow on their clothing and skin.

  4. step 04

    Refine the details of the drapery, paying attention to the folds and highlights.

  5. step 05

    Add details to the landscape, including the trees, river, and distant buildings.

  6. step 06

    Paint the sheep, focusing on its woolly texture.

  7. step 07

    Add the gold details on the clothing and halos using a fine brush.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and create depth.

color palette

primary · ultramarine blue · rose madder · yellow ochre

secondary · viridian · raw umber · titanium white

Achieve the muted tones by mixing complementary colors and adding white to create tints. Use glazes of ultramarine and rose madder to create the blue and red drapery. Mix yellow ochre and raw umber for the landscape.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·figure drawing
  • ·drapery study

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to establish a clear light source.
  • →Inaccurate proportions in the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·rose madder oil paint
  • ·yellow ochre oil paint
  • ·viridian oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·dammar varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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oil painting for beginners →how to learn by studying the masters →
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