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home·artworks·Times Square III
Times Square III by Pietropoli Patrick

plate no. 3843

Times Square III

Pietropoli Patrick

oil, linen, silverContemporary Realismcityscapecityscapebuildingsskywaterarchitectureurban
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using a limited palette to create a cohesive and atmospheric effect. Students will also learn to control brushstrokes to create texture and depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the horizon line.

  2. step 02

    Block in the large areas of color for the sky, water, and buildings using thinned paint.

  3. step 03

    Start defining the shapes of the buildings with darker and lighter values, focusing on the overall structure.

  4. step 04

    Add details to the buildings, such as windows and architectural features, using thicker paint and more defined brushstrokes.

  5. step 05

    Create texture in the water and sky by varying the direction and pressure of your brushstrokes.

  6. step 06

    Refine the edges of the buildings and add highlights to create a sense of depth.

  7. step 07

    Add the details of the pier in the foreground.

  8. step 08

    Make final adjustments to the colors and values to achieve the desired atmospheric effect.

color palette

primary · Payne's Gray · Titanium White · Raw Umber

secondary · Light Blue · Silver

Mix Payne's Gray and Titanium White for various shades of gray. Add a touch of Raw Umber to warm the grays. Use Light Blue for the sky, mixing with white to lighten.

techniques

  • ·Blocking in
  • ·Dry brushing
  • ·Scumbling
  • ·Value studies
  • ·Limited palette

common pitfalls

  • →Overworking the details and losing the overall simplicity of the scene.
  • →Using too many colors and creating a disjointed effect.
  • →Not paying attention to the values and creating a flat image.
  • →Making the brushstrokes too uniform and losing the texture.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (12x24 inches)
  • ·Oil paints (Payne's Gray, Titanium White, Raw Umber, Light Blue)
  • ·Assorted flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Silver oil paint
  • ·Medium (e.g., Liquin)

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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