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home·artworks·Times Square II
Times Square II by Pietropoli Patrick

plate no. 3514

Times Square II

Pietropoli Patrick

oil, linen, silverContemporary Realismcityscapecityscapebuildingsstreetfiguresadvertisementsurban
some experience helpful

This painting offers practice in creating atmospheric perspective and simplifying complex architectural forms. Students can develop skills in color mixing to achieve a muted, unified palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the buildings and street.

  2. step 02

    Establish a base layer of muted gray-brown across the entire canvas.

  3. step 03

    Block in the larger shapes of the buildings with varying shades of gray, brown, and white, focusing on value relationships.

  4. step 04

    Add details to the buildings, such as windows, signs, and architectural features, using smaller brushes.

  5. step 05

    Paint the street and sidewalks, paying attention to the perspective and the way light reflects off the surface.

  6. step 06

    Add the figures in the foreground, simplifying their forms and focusing on their silhouettes.

  7. step 07

    Introduce small pops of color in the figures' clothing and the traffic lights.

  8. step 08

    Refine the details and add highlights to create a sense of depth and atmosphere.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve the muted tones by mixing the primary colors with white and small amounts of blue or red to adjust the temperature. Use raw umber and white for the base layer and shadows.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·limited palette
  • ·grisaille underpainting

common pitfalls

  • →Getting bogged down in excessive detail too early.
  • →Creating colors that are too saturated or bright.
  • →Ignoring the overall value structure and atmospheric perspective.
  • →Losing the sense of depth and space.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 1/2 inch, 1 inch)
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·medium gloss

A toned canvas (light gray or raw umber) can be helpful for establishing the overall value structure.

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