apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Time To Come Out
Time To Come Out by Edith Vonnegut

plate no. 1690

Time To Come Out

Edith Vonnegut

oilNaïve Art (Primitivism)genre paintingfigureswaterpoollandscapeskyfoliage
some experience helpful

Recreating this painting will help students develop skills in figure drawing, color mixing for skin tones, and creating depth through value and color temperature changes. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the proportions of the figures and the placement of the pool.

  2. step 02

    Establish the background with dark tones, gradually lightening towards the top to create a sense of depth.

  3. step 03

    Block in the basic skin tones of the figures, using a limited palette of warm and cool colors.

  4. step 04

    Refine the shapes and contours of the figures, adding details such as hair and facial features.

  5. step 05

    Paint the pool and water, using variations in color and value to suggest reflections and movement.

  6. step 06

    Add details to the foreground, such as grass and foliage, to create a sense of depth and realism.

  7. step 07

    Adjust the overall color balance and value contrast to create a harmonious and visually appealing composition.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of light and shadow.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · ultramarine blue · alizarin crimson · cadmium yellow

Achieve skin tones by mixing yellow ochre, burnt sienna, and titanium white, with small amounts of alizarin crimson and ultramarine blue for shadows and cool tones. Mix dark greens for the background using ultramarine blue, cadmium yellow, and burnt sienna.

techniques

  • ·blocking in
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·color blending

common pitfalls

  • →Overworking the details and losing the simplicity of the original painting.
  • →Failing to establish a strong value contrast, resulting in a flat and lifeless image.
  • →Getting the proportions of the figures wrong, leading to an awkward or unnatural appearance.
  • →Using colors that are too saturated or unrealistic, creating a jarring or artificial effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·apron

Use a medium-grain canvas for best results. Acrylic paints are more beginner-friendly due to their faster drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden