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Thunderstorm by Alfred William Finch

plate no. 0996

Thunderstorm

Alfred William Finch, 1918

oilPost-Impressionismlandscapelaketreesskycloudslandscapewater
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing the atmospheric effects of light and weather. It also provides practice in using visible brushstrokes to build texture and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, indicating the horizon line, the shapes of the land masses, and the cloud formations.

  2. step 02

    Block in the sky with broad strokes of blue, white, and touches of yellow and pink where the sun breaks through.

  3. step 03

    Establish the dark mass of the distant trees using a mix of dark greens and browns.

  4. step 04

    Paint the water with horizontal strokes, reflecting the colors of the sky and the surrounding landscape.

  5. step 05

    Add the foreground elements, such as the grassy bank and the small islands, using short, broken brushstrokes.

  6. step 06

    Develop the reflections in the water, paying attention to their distorted and elongated shapes.

  7. step 07

    Refine the details of the clouds and the trees, adding highlights and shadows to create depth.

  8. step 08

    Add final touches to the overall composition, adjusting the colors and values as needed.

color palette

primary · ultramarine blue · titanium white · viridian green

secondary · yellow ochre · burnt umber · cadmium yellow

Mix various shades of green by combining blue and yellow. Achieve the atmospheric sky by blending blue and white with small amounts of yellow and pink. Use burnt umber to darken greens and blues.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·layering
  • ·impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating mud by overmixing colors.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the reflections in the water and painting them too literally.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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