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home·artworks·Three Brothers (The Painter's Children)
Three Brothers (The Painter's Children) by Nicolae Tonitza

plate no. 8975

Three Brothers (The Painter's Children)

Nicolae Tonitza, 1920

oilPost-Impressionismportraitchildrenportraitfiguresindoorclothingflowers
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing soft lighting effects using visible brushstrokes. It also provides practice in simplifying complex shapes and creating a harmonious color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the three figures.

  2. step 02

    Block in the background colors, focusing on the overall color harmony.

  3. step 03

    Establish the main skin tones for each child, paying attention to subtle variations in color and value.

  4. step 04

    Begin adding details to the faces, such as eyes, noses, and mouths, using small, deliberate brushstrokes.

  5. step 05

    Paint the clothing, capturing the folds and textures with visible brushwork.

  6. step 06

    Add the floral background details, simplifying the shapes and colors.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · titanium white · cadmium red · yellow ochre · burnt umber

secondary · cerulean blue · sap green · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, cadmium red, and a touch of burnt umber. Use cerulean blue and white for cooler tones. Mix alizarin crimson and white for the lips and cheeks.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Getting the proportions of the faces wrong.
  • →Using colors that are too saturated or intense.
  • →Failing to capture the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cerulean blue oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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