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home·artworks·Three A.M.
Three A.M. by John French Sloan

plate no. 9908

Three A.M.

John French Sloan, 1909

oil, canvasNew Realismgenre paintingfiguresinteriorkitchenstovetabledomestic
some experience helpful

Recreating this painting will help students develop skills in painting figures in an interior setting and capturing the nuances of light and shadow on fabric. It also provides practice in creating a sense of atmosphere through color and brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and key elements.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color, starting with the background.

  3. step 03

    Begin refining the figures, paying attention to proportions and anatomical accuracy.

  4. step 04

    Develop the details of the clothing, focusing on the folds and highlights.

  5. step 05

    Add details to the kitchen setting, such as the stove, table, and utensils.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details, such as facial features and small objects.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · viridian · ivory black · titanium white

secondary · burnt umber · yellow ochre · cadmium red light

Mix greens by blending viridian with yellow ochre and white. Achieve skin tones by mixing white, yellow ochre, and a touch of cadmium red light. Use burnt umber and ivory black to create dark shadows.

techniques

  • ·blocking in
  • ·scumbling
  • ·chiaroscuro
  • ·glazing
  • ·impasto

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall impression.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying attention to the lighting and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (viridian, ivory black, titanium white, burnt umber, yellow ochre, cadmium red light)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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