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The Young Saint John the Baptist by Piero di Cosimo

plate no. 6718

The Young Saint John the Baptist

Piero di Cosimo, 1480

oilEarly Renaissancereligious paintingfigureportraitreligioushairstaffhalo
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and hair, as well as understanding chiaroscuro to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic outline of the figure, focusing on accurate proportions and the profile.

  2. step 02

    Block in the background with a solid layer of black paint.

  3. step 03

    Establish the main light and shadow areas on the face and body using thin washes of color.

  4. step 04

    Begin layering skin tones, gradually building up highlights and shadows with subtle color variations.

  5. step 05

    Paint the hair, paying close attention to the direction and flow of the curls.

  6. step 06

    Add details to the staff and fur, focusing on texture and form.

  7. step 07

    Refine the edges and details of the face and hair, adding subtle highlights and shadows.

  8. step 08

    Add the halo with gold or yellow paint, and make final adjustments to the overall composition.

color palette

primary · yellow ochre · raw umber · titanium white · ivory black

secondary · burnt sienna · cadmium yellow · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use raw umber and black for shadows, and add white for highlights. Mix yellow ochre and burnt sienna for the hair.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·layering

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overly harsh or muddy skin tones.
  • →Lack of depth and dimension in the hair.
  • →Ignoring subtle color variations in the light and shadow areas.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso for a smooth painting surface.

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