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The Young Mother by Philip Guston

plate no. 2046

The Young Mother

Philip Guston, 1944

oilSocial Realismgenre paintingfiguremotherchildbuildingsportraitdomestic scene
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering skin tones and capturing likenesses, as well as understanding how to create depth and form through subtle value changes and brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main figures and background elements, paying attention to proportions.

  2. step 02

    Block in the main color areas using thin washes, focusing on establishing the overall value structure.

  3. step 03

    Begin building up the skin tones using layers of subtle color variations, paying attention to highlights and shadows.

  4. step 04

    Develop the details of the clothing and background elements, using thicker paint and more visible brushstrokes.

  5. step 05

    Refine the facial features, focusing on capturing the likeness and expression of the subjects.

  6. step 06

    Add details like the beads and the cat toy.

  7. step 07

    Adjust the overall composition and color balance as needed.

  8. step 08

    Apply a final layer of varnish for protection and to enhance the colors.

color palette

primary · titanium white · raw umber · burnt sienna · yellow ochre

secondary · viridian · cadmium red light · ultramarine blue

Mix skin tones by blending white, yellow ochre, burnt sienna, and a touch of red. Use raw umber and white for the cooler grays in the background and clothing. Add small amounts of blue or green to darken shadows.

techniques

  • ·portraiture
  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the underlying value structure.
  • →Getting lost in details too early.
  • →Incorrect proportions of the figures.
  • →Not capturing the likeness of the subjects.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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