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home·artworks·The Woman Taken In Adultery
The Woman Taken In Adultery by Horace Pippin

plate no. 2292

The Woman Taken In Adultery

Horace Pippin, 1941

oilNaïve Art (Primitivism)religious paintingfiguresreligious scenearchitecturerobesstonebeards
suitable for beginners

This painting is great for practicing simplified figure drawing and understanding how to represent depth with minimal shading. Students can learn to mix muted colors and create a sense of texture with visible brushstrokes.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the figures and architectural elements.

  2. step 02

    Block in the large areas of color for the background wall and the sky.

  3. step 03

    Begin filling in the figures with their respective base colors, focusing on the overall shapes.

  4. step 04

    Add darker tones to create shadows and define the forms of the figures and architectural details.

  5. step 05

    Introduce lighter tones to suggest highlights and add dimension.

  6. step 06

    Refine the details of the faces and clothing, paying attention to the folds and textures.

  7. step 07

    Add the small details like the stones on the ground.

  8. step 08

    Make final adjustments to the colors and values to achieve the desired effect.

color palette

primary · raw umber · titanium white · phthalo green · dioxazine purple

secondary · cadmium red light · ultramarine blue · yellow ochre

Mix raw umber and white for the walls, adding small amounts of yellow ochre for warmth. Use phthalo green with white and raw umber for the green robes. Mix dioxazine purple with white for the purple robes, adding a touch of red for warmth.

techniques

  • ·flat color application
  • ·simplified shading
  • ·visible brushstrokes
  • ·color mixing
  • ·blocking in

common pitfalls

  • →Overworking the details and losing the simplicity of the style.
  • →Creating colors that are too bright or saturated.
  • →Not paying attention to the overall composition and balance.
  • →Making the figures too realistic and detailed.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·phthalo green oil paint
  • ·dioxazine purple oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·painting medium (linseed oil or alkyd medium)
  • ·easel

Use a canvas with a medium texture to enhance the visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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