apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The White Hyacinth
The White Hyacinth by Mary Fedden

plate no. 7443

The White Hyacinth

Mary Fedden, 1984

oilNaïve Art (Primitivism)still lifeflowerslemonstablelandscapepalm treestill life
suitable for beginners

Recreating this painting will help students practice simplifying complex forms into basic shapes and using visible brushstrokes to create texture and interest. It's also a good exercise in understanding color relationships and creating a sense of depth through layering.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas, focusing on the placement of the main elements.

  2. step 02

    Block in the large areas of color, starting with the background and working your way forward.

  3. step 03

    Add the base colors for the table, lemons, flowers, and other objects.

  4. step 04

    Begin layering colors and adding details to the lemons, using short, visible brushstrokes.

  5. step 05

    Paint the flowers, focusing on the shapes of the petals and the variations in white.

  6. step 06

    Add details to the table, including the stripes and the drawer details.

  7. step 07

    Refine the background and add any final details, such as the shadow under the lemons.

  8. step 08

    Allow to dry and varnish if desired.

color palette

primary · white · yellow · green · blue

secondary · black · grey · brown · purple

Mix different shades of white by adding small amounts of yellow, grey, or blue. Create the green for the landscape by mixing blue and yellow, and vary the shades by adding white or black.

techniques

  • ·blocking in
  • ·visible brushstrokes
  • ·layering
  • ·color mixing
  • ·simplifying forms

common pitfalls

  • →Overworking the details.
  • →Not simplifying the forms enough.
  • →Using too many colors.
  • →Ignoring the importance of brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·varnish
  • ·painting medium

Use a limited palette of colors to simplify the mixing process. Consider using a medium to help with blending and layering.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden