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home·artworks·The Wailing Wall, Jerusalem
The Wailing Wall, Jerusalem by Carl Haag

plate no. 8295

The Wailing Wall, Jerusalem

Carl Haag, 1859

pencil, paperOrientalismsketch and studyfigureswallarchitectureJerusalemMiddle East
some experience helpful

Recreating this painting will help students develop skills in tonal washes and creating depth through layering. It also provides practice in rendering figures in a loose, suggestive style.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on proportions and perspective.

  2. step 02

    Apply a diluted wash of raw umber or burnt sienna to the entire paper to create a warm undertone.

  3. step 03

    Begin layering washes to establish the darker areas of the wall and figures, gradually building up the tones.

  4. step 04

    Use a slightly darker wash to define the individual blocks of the wall and add shadows.

  5. step 05

    Add details to the figures using a fine brush or pencil, focusing on the folds of their garments.

  6. step 06

    Use a dry brush technique to create texture on the wall and ground.

  7. step 07

    Add final highlights with a clean, damp brush to lift color and create contrast.

  8. step 08

    Allow to dry completely.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · payne's gray

Achieve the various tones by diluting the primary colors with water. Use ivory black sparingly to darken shadows. A touch of Payne's gray can add coolness to the shadows.

techniques

  • ·tonal washes
  • ·dry brush
  • ·layering
  • ·lifting color
  • ·suggestive linework

common pitfalls

  • →Overworking the details and losing the loose, sketch-like quality.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear value structure.
  • →Not allowing washes to dry completely before adding subsequent layers.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor brushes (round and flat)
  • ·raw umber watercolor
  • ·burnt sienna watercolor
  • ·ivory black watercolor
  • ·water container
  • ·palette

optional

  • ·payne's gray watercolor
  • ·masking fluid
  • ·kneaded eraser

Use a good quality watercolor paper that can withstand multiple washes. Experiment with different brush sizes to achieve varying levels of detail.

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