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home·artworks·The visit of the father
The visit of the father by Carl Spitzweg

plate no. 3139

The visit of the father

Carl Spitzweg, 1870

oil, panelBiedermeiergenre paintingcityscapefiguresbuildingscarriageclock towerstreet
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and capturing the essence of figures in motion with loose brushwork. It also provides practice in rendering architectural details and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the buildings and street.

  2. step 02

    Establish the horizon line and the vanishing point to guide the perspective.

  3. step 03

    Block in the large areas of color, starting with the sky and distant mountains.

  4. step 04

    Gradually add details to the buildings, focusing on the clock tower and the main architectural features.

  5. step 05

    Paint the figures and the carriage, using quick, expressive brushstrokes to suggest movement.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details and adjust the colors to match the original painting.

  8. step 08

    Add final touches, such as small details on the figures and buildings.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · raw sienna · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Create atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·alla prima

common pitfalls

  • →Getting the perspective wrong, leading to a distorted cityscape.
  • →Overworking the details, resulting in a stiff and lifeless painting.
  • →Using colors that are too bright or saturated, failing to capture the muted tones of the original.
  • →Not capturing the movement of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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