apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Virgin and Child in a gothic interior
The Virgin and Child in a gothic interior by Petrus Christus

plate no. 6523

The Virgin and Child in a gothic interior

Petrus Christus, 1460

oilNorthern Renaissancereligious paintingfigureinteriorreligiouswindowarchitecturechild
experienced study

Recreating this painting will help students develop skills in rendering realistic drapery and understanding atmospheric perspective to create depth in an interior scene. It also provides practice in portraiture and figure painting.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figures, the window, the bed, and the architectural elements.

  2. step 02

    Establish the overall value structure by blocking in the dark areas first, paying attention to the light source.

  3. step 03

    Start painting the background, focusing on the atmospheric perspective and the diminishing detail as the scene recedes.

  4. step 04

    Move on to the figures, starting with the underpainting of the skin tones and the drapery.

  5. step 05

    Carefully build up the layers of color in the drapery, paying attention to the folds and highlights.

  6. step 06

    Refine the details of the faces, hands, and other important features.

  7. step 07

    Add the details of the interior, such as the window, the bed, and the chandelier.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic image.

color palette

primary · red · blue · brown · white

secondary · green · gold · grey

Achieve the rich reds by mixing a crimson with a touch of brown. Create the blues by mixing ultramarine with white and a hint of black. The skin tones are achieved by mixing white, yellow ochre, and a touch of red and brown.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the atmospheric perspective and creating a flat image.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, blue, brown, white, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the value structure.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley