apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Vagabond (The Prodigal Son)
The Vagabond (The Prodigal Son) by Hieronymus Bosch

plate no. 4825

The Vagabond (The Prodigal Son)

Hieronymus Bosch, 1516

oil, panelNorthern Renaissancereligious paintingfigurelandscapebuildinganimalsskytree
experienced study

Recreating this painting will help students develop skills in rendering realistic figures in a landscape and understanding atmospheric perspective to create depth. It also provides practice in creating subtle color variations and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the main shapes and composition, focusing on the placement of the figure, building, and landscape elements.

  2. step 02

    Establish the background by blocking in the sky and distant landscape with thin washes of color.

  3. step 03

    Paint the building and tree, paying attention to their forms and details.

  4. step 04

    Block in the main figure, focusing on accurate proportions and pose.

  5. step 05

    Refine the figure's details, including clothing, face, and hands.

  6. step 06

    Add details to the foreground, including the animals and ground texture.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · Prussian blue · cadmium red light

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use thin glazes to build up color and create subtle variations.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figure wrong
  • →Overworking the details too early
  • →Creating colors that are too bright or saturated
  • →Failing to create a sense of depth and atmosphere

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Raw umber oil paint
  • ·Ivory black oil paint
  • ·Titanium white oil paint
  • ·Yellow ochre oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Linseed oil
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Burnt sienna oil paint
  • ·Prussian blue oil paint

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley