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home·artworks·The Troitse-Sergiyev Monastery. March
The Troitse-Sergiyev Monastery. March by Konstantin Yuon

plate no. 7584

The Troitse-Sergiyev Monastery. March

Konstantin Yuon, 1910

wash, watercolor, paperPost-Impressionismlandscapebuildingssnowtreesfiguresskywinter
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create a sense of depth and distance. It also provides practice in rendering bare trees and snow textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, trees, and foreground snow drifts.

  2. step 02

    Establish the sky with a diluted wash of blue and gray.

  3. step 03

    Block in the basic colors of the buildings using a light red and pink, paying attention to the variations in tone.

  4. step 04

    Paint the snow-covered areas with white and subtle grays and blues to indicate shadows and depth.

  5. step 05

    Add the bare trees with thin, delicate lines, varying the thickness to create depth.

  6. step 06

    Paint the figures in the middle ground with simple shapes and muted colors.

  7. step 07

    Add details to the buildings, such as windows and architectural features.

  8. step 08

    Refine the foreground snow and add shadows to create a sense of depth.

color palette

primary · light red · titanium white · ultramarine blue

secondary · burnt umber · yellow ochre · payne's gray

Mix various shades of pink and red by adding white to the light red. Create grays by mixing blue and umber, and adjust the value with white.

techniques

  • ·dry brush
  • ·layering
  • ·atmospheric perspective
  • ·color mixing
  • ·wash

common pitfalls

  • →Overworking the details in the background, losing the atmospheric perspective.
  • →Making the colors too saturated, resulting in a less realistic winter scene.
  • →Not varying the thickness of the tree branches, making them appear flat.
  • →Ignoring the subtle color variations in the snow.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brush
  • ·water container
  • ·palette
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying line weights.

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related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
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