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home·artworks·The Triumph of Fame; (averse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
The Triumph of Fame; (averse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families by Lo Scheggia

plate no. 0181

The Triumph of Fame; (averse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families

Lo Scheggia

temperaEarly Renaissanceallegorical paintingfigureshorseslandscapearmorskyallegory
experienced study

Recreating this painting will help students develop skills in figure drawing, perspective, and creating depth through atmospheric perspective. It also provides practice in rendering details like armor and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the central figure and the horizon line.

  2. step 02

    Rough in the background landscape, establishing the mountains and water.

  3. step 03

    Sketch the figures and horses, paying attention to their relative sizes and positions.

  4. step 04

    Begin painting the sky and background, using thin washes of color.

  5. step 05

    Paint the central figure and the fountain, gradually building up the details.

  6. step 06

    Add the figures and horses, working from the background to the foreground.

  7. step 07

    Refine the details of the armor, clothing, and facial features.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · raw umber · red ochre · titanium white

secondary · yellow ochre · ivory black · cadmium red light

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or red. Use thin washes to create atmospheric perspective in the background.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·linear perspective
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of perspective.
  • →Using colors that are too bright or saturated.
  • →Not paying enough attention to the proportions of the figures and horses.

materials

surface · stretched canvas

required

  • ·stretched canvas (circular)
  • ·gesso
  • ·acrylic paints
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine

optional

  • ·retouch varnish
  • ·easel
  • ·medium gloss

Use a fine-grained canvas to allow for detailed brushwork. Tempera is the original medium, but acrylics are more accessible for modern students.

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