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home·artworks·The Tribute Money (Brancacci Chapel)
The Tribute Money (Brancacci Chapel) by Masaccio

plate no. 9257

The Tribute Money (Brancacci Chapel)

Masaccio, 1425

frescoEarly Renaissancereligious paintingfigureslandscapebuildingmountainsrobessky
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery studies, and atmospheric perspective. It also provides practice in color mixing to achieve subtle variations in skin tones and fabric.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the building.

  2. step 02

    Establish the background landscape with broad washes of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the main colors of the figures' robes and skin tones.

  4. step 04

    Begin to define the forms of the figures with light and shadow, using subtle gradations of color.

  5. step 05

    Add details to the figures' faces and hands, paying attention to their expressions and gestures.

  6. step 06

    Refine the details of the building and the landscape, adding texture and interest.

  7. step 07

    Glaze thin layers of color to unify the painting and create depth.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · red ochre · ultramarine blue · raw umber

secondary · yellow ochre · viridian green · titanium white

Mix red ochre and raw umber for earth tones. Use ultramarine blue and white for the sky and distant mountains. Mix viridian green with yellow ochre for foliage.

techniques

  • ·figure drawing
  • ·drapery studies
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Overly harsh shadows
  • →Flat or lifeless colors
  • →Ignoring atmospheric perspective
  • →Getting lost in details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·palette knife
  • ·medium gloss
  • ·retarder medium

Use a canvas with a smooth surface for best results. Acrylics are more beginner-friendly, while oils offer richer colors and blending capabilities.

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