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home·artworks·The Tooth Extractor
The Tooth Extractor by Giovanni Domenico Tiepolo

plate no. 4066

The Tooth Extractor

Giovanni Domenico Tiepolo, 1754

oil, canvasRococogenre paintingfigurescrowdbuildingskystreet scenedog
experienced study

Recreating this painting will help students develop skills in painting figures in dynamic poses and creating a sense of depth and atmosphere through subtle value and color variations. It also provides practice in capturing the texture of fabrics and the nuances of human expression.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
1

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of major figures and the building.

  2. step 02

    Block in the main shapes and values using thin washes of color, focusing on the overall light and shadow patterns.

  3. step 03

    Start developing the background elements, such as the sky and the building, using loose brushstrokes and subtle color variations.

  4. step 04

    Begin to refine the figures, paying attention to their individual poses and expressions.

  5. step 05

    Gradually build up the details, adding highlights and shadows to create form and depth.

  6. step 06

    Work on the textures of the fabrics and other materials, using a variety of brushstrokes and techniques.

  7. step 07

    Add the final details, such as the faces, hands, and small objects, to bring the painting to life.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue · burnt sienna

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use thin glazes to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Not capturing the dynamic poses and expressions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·dammar varnish

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of raw umber before starting.

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