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home·artworks·The Terrace
The Terrace by Rudolf Ernst

plate no. 3015

The Terrace

Rudolf Ernst

oilOrientalismgenre paintingfiguresarchitectureinteriortextilescityscapesea
experienced study

Recreating this painting will help students develop skills in rendering figures in detailed costumes, capturing the effects of light and shadow in an interior setting, and creating a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition, focusing on the placement of the figures, architecture, and key objects.

  2. step 02

    Block in the main areas of color, paying attention to the overall warm color scheme.

  3. step 03

    Develop the figures, starting with the larger shapes and gradually adding details to the clothing and faces.

  4. step 04

    Work on the architectural elements, focusing on the perspective and the play of light and shadow.

  5. step 05

    Add details to the textiles, such as the carpets and hanging fabrics, capturing their patterns and textures.

  6. step 06

    Paint the cityscape in the background, simplifying the forms and focusing on the overall color and value.

  7. step 07

    Refine the details and add highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches and adjust the colors and values as needed to achieve a harmonious and balanced composition.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium red · ivory black · titanium white

Achieve the warm, golden tones by mixing yellow ochre and burnt sienna. Use ultramarine blue to create the sky and sea, and mix it with burnt sienna to create shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition and color scheme.
  • →Failing to create a sense of depth and atmosphere in the background.
  • →Overworking the figures and losing the freshness of the brushstrokes.
  • →Not paying attention to the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt sienna, ultramarine blue, cadmium red, ivory black, titanium white)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to create a warm base for the painting.

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