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home·artworks·The Tame Gazelle (la Gazelle Apprivoisée)
The Tame Gazelle (la Gazelle Apprivoisée) by Eugène Girardet

plate no. 7792

The Tame Gazelle (la Gazelle Apprivoisée)

Eugène Girardet, 1879

oilOrientalismgenre paintingfiguregazellecarpetfoliagearchitecturetea set
experienced study

Recreating this painting will help students develop skills in rendering complex patterns, textures, and realistic figures in a detailed environment. It also provides practice in achieving subtle color variations and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figure, gazelle, and surrounding elements.

  2. step 02

    Block in the main color areas, focusing on the overall values and relationships between the different elements.

  3. step 03

    Develop the background foliage and architectural details, paying attention to the variations in color and texture.

  4. step 04

    Refine the figure's features and clothing, adding details such as jewelry and embroidery.

  5. step 05

    Paint the gazelle, focusing on its anatomy and fur texture.

  6. step 06

    Add details to the carpet, tea set, and other foreground elements, paying attention to the patterns and textures.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · ivory black · yellow ochre · titanium white

secondary · cadmium red · viridian · ultramarine blue

Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white. Create the darks in the clothing by mixing ivory black and burnt umber. Use viridian and ultramarine blue to create the greens in the foliage.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·rendering of fabrics

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition and values.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of the figure and gazelle.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, ivory black, yellow ochre, titanium white, cadmium red, viridian, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and drying time of the paint.

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oil painting for beginners →how to learn by studying the masters →
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