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home·artworks·The Subway
The Subway by Jose Clemente Orozco

plate no. 6667

The Subway

Jose Clemente Orozco, 1928

oil, canvasSocial Realismgenre paintingfiguressubwayurban sceneinteriorseatspoles
some experience helpful

This painting offers practice in capturing a mood with a limited palette and loose brushwork. Students can develop skills in depicting figures in a dimly lit environment and creating a sense of depth with subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and the main structural elements.

  2. step 02

    Establish the overall dark tones of the background and floor with a thin wash of burnt umber and black.

  3. step 03

    Block in the figures with simplified shapes, paying attention to their relative sizes and positions.

  4. step 04

    Add highlights to the poles and seats to create a sense of light and form.

  5. step 05

    Refine the details of the figures, focusing on capturing their posture and expression.

  6. step 06

    Use loose brushstrokes to suggest the textures of the clothing and the surrounding environment.

  7. step 07

    Adjust the values and colors to create a cohesive and atmospheric effect.

  8. step 08

    Add final details and highlights to enhance the sense of depth and realism.

color palette

primary · burnt umber · ivory black · titanium white

secondary · ultramarine blue · yellow ochre

Mix burnt umber and black for the dark tones. Add white to create lighter values. Use ultramarine blue to cool down the shadows. Yellow ochre can be used to warm up the highlights.

techniques

  • ·dry brushing
  • ·scumbling
  • ·limited palette
  • ·tonal painting
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Creating too much contrast and flattening the image.
  • →Failing to capture the subtle value changes that create depth.
  • →Not paying attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to allow for expressive brushstrokes.

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oil painting for beginners →how to learn by studying the masters →
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