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home·artworks·The Streetwalker (also known as Casque d Or)
The Streetwalker (also known as Casque d Or) by Henri de Toulouse-Lautrec

plate no. 1295

The Streetwalker (also known as Casque d Or)

Henri de Toulouse-Lautrec, 1891

oil, cardboardPost-Impressionismportraitportraitfigurewomanpathtreesclothing
some experience helpful

Recreating this painting will help students develop skills in capturing likeness with expressive brushstrokes and understanding color temperature variations within a limited palette. It also provides practice in creating depth through layering and suggesting details rather than rendering them precisely.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main color blocks: the skin tones, the clothing, the foliage, and the path.

  3. step 03

    Begin layering paint with visible brushstrokes, focusing on capturing the direction of light and form.

  4. step 04

    Mix and apply subtle variations in color temperature within each area to create depth and interest.

  5. step 05

    Pay close attention to the facial features, capturing the expression with careful brushwork.

  6. step 06

    Add highlights and shadows to enhance the three-dimensionality of the figure and the background.

  7. step 07

    Refine the details and adjust the overall color balance.

  8. step 08

    Add final touches to the brushwork to enhance the expressive quality of the painting.

color palette

primary · yellow ochre · viridian green · burnt umber · titanium white

secondary · cadmium red · ultramarine blue

Achieve skin tones by mixing yellow ochre, burnt umber, and white, with small touches of red for warmth. Greens are created with viridian, yellow ochre and touches of blue. Browns are created with burnt umber and yellow ochre.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima
  • ·expressive brushwork

common pitfalls

  • →Over-blending the colors, which can flatten the image.
  • →Getting bogged down in details too early.
  • →Ignoring the direction of brushstrokes, which can make the painting look chaotic.
  • →Not paying attention to the subtle color variations within each area.

materials

surface · Stretched canvas

required

  • ·Oil paints
  • ·Canvas or oil paper
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Easel
  • ·Medium (e.g., Liquin)

Consider using a toned canvas to establish a mid-tone base for the painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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