apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Street
The Street by Fernando Botero

plate no. 1666

The Street

Fernando Botero, 1987

oil, canvasNaïve Art (Primitivism)cityscapestreetbuildingsfigurescityscapehillsanimals
some experience helpful

Recreating this painting will help students develop skills in depicting perspective, color mixing to achieve the unique Botero palette, and painting simplified human figures. It also encourages observation of light and shadow on buildings and figures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and the street layout, focusing on perspective.

  2. step 02

    Lightly sketch in the positions of the figures, keeping their proportions in mind.

  3. step 03

    Block in the main colors of the buildings, using a limited palette and focusing on local color.

  4. step 04

    Add shadows and highlights to the buildings to create depth and dimension.

  5. step 05

    Paint the figures, paying attention to their simplified forms and unique proportions.

  6. step 06

    Add details to the figures, such as clothing, faces, and accessories.

  7. step 07

    Paint the cobblestone street, using a mix of grays and browns.

  8. step 08

    Add final details, such as the flags, power lines, and other small elements.

color palette

primary · ochre · burnt sienna · titanium white · cadmium red

secondary · ultramarine blue · sap green · yellow ochre

Achieve the muted tones by mixing primary colors with white and small amounts of complementary colors. Use ochre and burnt sienna for the warm building tones. Mix ultramarine with white and a touch of burnt sienna for the sky.

techniques

  • ·blocking in color
  • ·simplified figure drawing
  • ·atmospheric perspective
  • ·color mixing
  • ·layering

common pitfalls

  • →getting the perspective wrong
  • →overcomplicating the figures
  • →using colors that are too bright
  • →not paying attention to the light and shadow
  • →making the cobblestones too uniform

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden