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home·artworks·The Story of St. Nicholas. Birth of St. Nicholas
The Story of St. Nicholas. Birth of St. Nicholas by Fra Angelico

plate no. 1411

The Story of St. Nicholas. Birth of St. Nicholas

Fra Angelico, 1448

panel, temperaEarly Renaissancereligious paintingfiguresarchitectureinteriorreligious scenebuildinglandscape
some experience helpful

Recreating this painting will help students develop skills in depicting figures in perspective and understanding how to create a sense of depth through color and detail. It also provides practice in rendering architectural details and drapery.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, paying attention to the placement of figures and architectural elements.

  2. step 02

    Establish the basic color blocks for the background, buildings, and figures.

  3. step 03

    Develop the architectural details, focusing on accurate perspective and shading.

  4. step 04

    Refine the figures, paying attention to anatomy, drapery folds, and facial expressions.

  5. step 05

    Add details to the landscape, including the flowers and foliage.

  6. step 06

    Glaze with thin layers of color to build depth and richness.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the forms.

  8. step 08

    Apply a final varnish to protect the painting.

color palette

primary · ochre · ultramarine blue · red · white

secondary · green · brown · gold

Mix ochre with white for the building walls, ultramarine with white for the sky and some drapery, and various shades of red for the figures' clothing. Use glazes of brown and green to create depth in the landscape.

techniques

  • ·glazing
  • ·linear perspective
  • ·drapery rendering
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective in the architecture.
  • →Overly harsh or muddy color mixing.
  • →Lack of attention to detail in the figures' anatomy.
  • →Ignoring the subtle gradations of light and shadow.
  • →Rushing the glazing process.

materials

surface · gessoed panel

required

  • ·gessoed panel
  • ·tempera paints
  • ·fine detail brushes
  • ·palette
  • ·water
  • ·soft cloths
  • ·pencil

optional

  • ·retarder
  • ·varnish
  • ·palette knife

Tempera paints dry quickly, so work in small sections and keep your brushes clean. Consider using a retarder to slow the drying time if needed.

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