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The stagecoach by Carl Spitzweg

plate no. 4330

The stagecoach

Carl Spitzweg, 1880

oil, canvasBiedermeiergenre paintingstagecoachfigureslandscapemountainsvillagefoliage
experienced study

Recreating this painting will help students develop skills in depicting figures in motion, atmospheric perspective, and creating depth with varying levels of detail and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the stagecoach and figures.

  2. step 02

    Establish the background with broad strokes, creating the mountain and sky using blended colors.

  3. step 03

    Block in the main colors of the stagecoach and figures, paying attention to their relative values.

  4. step 04

    Develop the details of the stagecoach, adding highlights and shadows to create form.

  5. step 05

    Refine the figures, adding details to their clothing and faces.

  6. step 06

    Add details to the foreground elements, such as the water fountain and foliage.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · raw sienna · ivory black

Mix various shades of brown and earth tones by combining burnt umber, yellow ochre, and raw sienna. Use ultramarine blue and white for the sky and distant mountains, and add small amounts of red to create warmer browns and flesh tones.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·broken color
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details in the background, which can flatten the image.
  • →Failing to establish a clear value structure, which can make the painting look muddy.
  • →Ignoring the importance of edges, which can make the painting look flat.
  • →Getting lost in details before establishing the overall composition and values.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas to allow for texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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