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home·artworks·The Son of a Saint M’rabeth
The Son of a Saint M’rabeth by Nasreddine Dinet

plate no. 0688

The Son of a Saint M’rabeth

Nasreddine Dinet, 1900

oil, canvasOrientalismreligious paintingfigurescrowdarchitecturerobesturbanslight
experienced study

Recreating this painting will help students develop skills in rendering complex figures and drapery, as well as capturing subtle variations in skin tones and light.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main color masses for the figures, robes, and background.

  4. step 04

    Begin refining the details of the faces, paying attention to the light and shadow.

  5. step 05

    Develop the folds and textures of the drapery, using a variety of brushstrokes.

  6. step 06

    Add the details of the architecture and background, keeping them soft and atmospheric.

  7. step 07

    Glaze in the shadows and highlights to create depth and dimension.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · yellow ochre · burnt sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · raw umber

Achieve skin tones by mixing yellow ochre, burnt sienna, and white, with small amounts of red and blue for variation. Use raw umber and ivory black to create shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (yellow ochre, burnt sienna, ivory black, titanium white, cadmium red, ultramarine blue, raw umber)
  • ·Turpentine or odorless mineral spirits
  • ·Linseed oil
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the underpainting process.

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