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home·artworks·The smoking Hashish
The smoking Hashish by Emile Bernard

plate no. 2260

The smoking Hashish

Emile Bernard, 1900

oilPost-Impressionismportraitfigureportraitclothinginstrumentcushionsinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating depth and form using light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and the main elements of the composition.

  2. step 02

    Block in the large areas of color, focusing on the overall values and proportions.

  3. step 03

    Start refining the skin tones, paying attention to the subtle variations in color and light.

  4. step 04

    Develop the details of the clothing, including the stripes and folds, using a combination of thin washes and thicker brushstrokes.

  5. step 05

    Paint the instrument and other accessories, focusing on their textures and shapes.

  6. step 06

    Add details to the background, creating a sense of depth and atmosphere.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light

Mix various shades of brown and black by combining raw umber, burnt sienna, and ivory black. Use white to lighten these colors and create highlights. Add small amounts of yellow ochre or cadmium red to warm up the skin tones.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·chiaroscuro
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the likeness of the figure.
  • →Ignoring the subtle variations in color and value.
  • →Creating muddy or dull colors by overmixing.
  • →Losing the overall sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a more harmonious color palette.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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