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home·artworks·The Small Crucifixion
The Small Crucifixion by Matthias Grünewald

plate no. 9604

The Small Crucifixion

Matthias Grünewald, 1510

oil, panelNorthern Renaissancereligious paintingcrucifixionfiguresreligious scenecrossskylandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering drapery, and creating a somber atmosphere through color and value. It also provides practice in depicting complex emotions and anatomical details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark underpainting.

  2. step 02

    Sketch the main figures and the cross, paying attention to proportions and anatomical accuracy.

  3. step 03

    Block in the main areas of color, starting with the darkest shadows.

  4. step 04

    Begin layering and blending colors to create depth and form in the figures and drapery.

  5. step 05

    Focus on rendering the skin tones of Christ, using subtle variations in color and value.

  6. step 06

    Add details to the faces and hands, capturing the emotions of the figures.

  7. step 07

    Paint the background landscape and sky, creating a sense of depth and atmosphere.

  8. step 08

    Refine the details and add highlights to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue · burnt sienna

Achieve the somber tones by mixing blacks and browns with small amounts of blues and reds. Skin tones are created by mixing white, red, yellow ochre, and a touch of umber.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions in the figures.
  • →Overly bright or saturated colors.
  • →Lack of depth and atmosphere in the background.
  • →Insufficient attention to anatomical details.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, raw umber, titanium white, cadmium red, yellow ochre, ultramarine blue, burnt sienna)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Turpentine or mineral spirits
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A toned canvas will help to create a more unified and atmospheric painting.

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