apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Silk Merchants
The Silk Merchants by Edwin Lord Weeks

plate no. 1390

The Silk Merchants

Edwin Lord Weeks

oil, canvasOrientalismgenre paintingfiguresarchitecturemarkettextilesclothingcityscape
experienced study

Recreating this painting will help students develop skills in rendering complex figures in a crowded scene and capturing the nuances of light and shadow to create depth and atmosphere. It will also help in understanding how to create a focal point in a busy composition.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and architectural elements.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the darkest and lightest areas to create a sense of depth and dimension.

  4. step 04

    Start building up layers of color, focusing on the local color of each object.

  5. step 05

    Pay attention to the subtle variations in color and value within each form.

  6. step 06

    Refine the details of the figures and architectural elements, using smaller brushes.

  7. step 07

    Add highlights and shadows to create a sense of form and volume.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · ivory black · raw sienna

Achieve the warm, earthy tones by mixing burnt umber, yellow ochre, and small amounts of cadmium red. Use ultramarine blue and ivory black to create cooler shadows and grays.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Getting lost in the details too early before establishing the overall composition and values.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Failing to create a strong sense of depth and atmosphere.
  • →Inaccurate proportions of figures and architecture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, titanium white, cadmium red, ultramarine blue, ivory black, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

Young Rider With A Rifle

Young Rider With A Rifle

Nasreddine Dinet

The Harem Dance

The Harem Dance

Giulio Rosati

The arms merchant

The arms merchant

Gustavo Simoni

Oriental woman

Oriental woman

Jean-François Portaels

A Bedouin Encampment

A Bedouin Encampment

Eugène Girardet

The sphinx of Geezah

The sphinx of Geezah

Carl Haag

A Chinesa

A Chinesa

Anita Malfatti